Disclaimer : I've tried not to disclose any spoilers; but read at your discretion.
I recently read my first book by Haruki Murakami : The Wind-Up Bird Chronicle (WUBC), as part of my September book club reading. I read the English translation by Jay Rubin. The original Japanese edition was released in three parts, which make up the three "books" of the single volume English language version (published in 1997). Hence, WUBC is a rather thick tome of 600+ pages! For this novel, Murakami received the Yomiuri Literary Award.
The plot
The genre is Magical Realism. Through the adventures of the protagonist, the book takes the reader on a path of self exploration. On his surreal journey, Toru bumps across an eclectic set of characters, receives inappropriate phone calls, descends into dreamlike realms, gets exposed to mental and physical defilement, and confronts deep shadows of Japan’s wartime past. The book questions the concept of 'free will'.
The narrative starts off fairly simply: A Japanese couple’s cat suddenly vanishes in the city of Tokyo, and it sets off a chain reaction. The husband, Toru Okada, has recently quit his dead-end job as a 'professional gofer' at a law firm, and embraced household chores like duck to water. His wife of six years - Kumiko is an editor at a health magazine, who earns a decent income. Her brother, Noboru Wataya, is an academician turned politician, who is the media’s pet but hated whole-heartedly by Toru. One fine morning, while Toru is cooking spaghetti, he gets propositioned by a strange woman on the phone. He remains curiously unmoved by her seduction. Meanwhile, he looks for the missing cat in an alley behind their home, stumbles upon an intriguing house with an abandoned well (the cursed Miyakawi House), and exchanges bizarre conversations with an ethereal 16-year old high school drop-out, May Kasahara.
The plot thickens slowly, as Toru’s humdrum existence is rocked by unanticipated events and unknown individuals. He often hears an unseen bird making a sound like the winding up of a spring, as if to spur a toy into action. He compares himself to that bird, calling it the Wind-Up Bird, that puts dormant things into motion. His wife gradually grows distant from him, his brother-in-law recruits a woman by the name of Malta Kano to help track down their cat, and he is left a mysterious keepsake from his wife’s elderly family clairvoyant, Mr. Honda, after his death. The latter is delivered to his home by a one-handed war veteran - Lieutenant Mamiya; who was the late Mr. Honda’s senior, and a mapmaker in the Kwangtung Army during World War II. The recurring appearance of a 'psychic prostitute' - Creta Kano (Malta’s sister), introduces elements of sex, intrigue and pain to the mix.
Ad hoc guests keep dropping in at Toru's place, shattering his peaceful solitude. He gets sucked into several peculiar experiences. Toru had been given the house by his wealthy uncle at a subsidised rent. Through him, he hears of folklore about some previous neighbours, including former residents at the abandoned Miyawaki house. When his wife disappears one fine day without any of her belongings, he suspects that she may have fled with another man. Without showing any signs of a deranged husband, he seeks to calmly get her back despite receiving a letter from her requesting a divorce. Taking a leaf out of Lt. Mamiya’s book, he descends into the depths of an empty dry well, and ruminates there for three days. He obtains specific insights through visions in the darkness of the well, along with a curious blue scar on his right cheek. His uncle recommends that he meet with the local real estate agent for additional local gossip, as well as that he roam the streets of Shinjinku to seek inspiration. Toru follows this advice with remarkable persistence. This brings yet another interesting character : Nutmeg, into his newly expanding social life. The talented yet taciturn lady, along with her stubbornly silent son - Cinnamon, change the course of Toru’s fortunes.
Multiple parallel threads, running at a rapid pace, keep the reader hooked. They begin to converge toward the end, providing clues to the eccentric behaviour of some of the characters. However, not all the jigsaw puzzles pieces fit neatly together at the end; some gaping holes are left to the interpretation of the reader.
Does the cat return? Is Toru united with his wife? What about the wind up bird? Read the book to find out!
The Characters
A few characters are the total antithesis of each other, e.g. Toru and his brother-in-law, Noboru Wataya. Toru is an unambitious house-husband, rebelling against the 'mechanical / scripted' existence; whereas Noboru is a go-getter chameleon, wielding his obnoxious power on everyone around him.
Kumiko is a tortured soul, who becomes 'tainted' (of her own admission), and removes herself from Toru’s world to spare him. Creta’s character has a complex relationship with pain. She undergoes a difficult childhood and early adulthood, until she eventually finds her calling as a medium. Malta Kano’s obsession with water, the “flow” of life, and the missing cat, is a forewarning of the impending challenges in Toru’s life. The whistling waiter probably represents Mr. Honda as he is shown to be carrying the Cutty Sark bottle to the hotel room - 208. Cinnamon is the boy who foresees the violent death of his own father at the hands of Noboru; helped along by his man Friday - Ushikawa. Cinnamon and Toru are thus bonded in their antagonism towards Noboru. May Kasahara is full of contradictions - her morbid talk about death, her fascination with wigs, and ambiguous ethics, provide the necessary support and periodic lessons to Toru. Nutmeg’s memories of her repatriation to Japan on board a ship, toward the end of World War II, hold the key to her association with Toru. Her enterprise of designing garments, and the serendipitous gift of ‘healing’ people, is quite the original touch! Lt. Mamiya’s accounts of the war, and his blood-curdling tale regarding Boris the Manskinner, highlight the atrocities of war, and raise an ethical dilemma regarding the World War II.
Each of these people enter Toru’s life for a reason, and help him at critical junctures in his odyssey.
Music
Since childhood, Murakami has been heavily influenced by Western culture, particularly Western music and literature. Many of his novels have themes and titles that invoke classical music. Each of the three books contained in WUBC mention famous classical music pieces-
- The Thieving Magpie (after Rossini's opera),
- Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and
- The Bird-Catcher (a character in Mozart's opera The Magic Flute).
In the book, there is a brief appearance by a guitar player, the protagonist listens to classical music while cooking, and also “sees” a waiter in a hotel whistling to the tune of Rossini’s “The Thieving Magpie". This is my first Murakami book, and I was not aware of these pieces of music either; but it seemed to me that he cleverly uses Music to convey certain moods.
My Observations
The prose of this book is clearly its strength. It evokes a vivid imagery in one’s mind - be it of landscapes, brutality, pain, or day-to-day chores. The author's rich imagination shines through the original and eccentric characters he has come up with. The various letters and newspaper articles progress the story forward. The dialogue is shocking and unexpected at times.
Toru is shown to be cooking various dishes throughout the book, but the cuisine is always American, no mention of Japanese food (say sushi) anywhere. A baseball bat shows up in various phases of the book. Clearly, Murakami is inspired by the American flavour. There is an underlying theme of cleanliness, organization and a preoccupation with sartorial finesse - Toru and Cinnamon's OCD, and Nutmeg's fixation with appropriate clothing and accessories. Ushikawa is clearly their antithesis.
Murakami has attempted to present Toru as a modern, slightly emasculated version of the Japanese male; whereas his women are more of mediums through which men learn valuable lessons.
I had not been aware of Japan's expansionist policies in the early twentieth century, and its invasion of Manchuria (Manchukuo), in northeast China. The elaborate story of the Zoo attack in Hsin-ching, in August 1945, was mind-numbing. The book enlightened me on the history of political tensions between Japan, Soviet Union, China and Mongolia.
I also learned that the Japanese keep an 'earthquake kit' handy for emergencies. It made me cognisant of the extreme fickleness of the weather there. This explains the contradictions in their culture - full of innovation and creative expression, but inexplicably ruthless at times.
Quotes
A few quotes are quite powerful, and relevant even today!
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“I used to wonder if he could hear what the spirits said to him if he was so hard of hearing. But maybe it worked the other way: the worse your ears, the better you could hear the words of the spirits.”
“To say that their reception of me was cool would be an understatement. The doors of all the world’s refrigerators seemed to have been thrown open at once.”
“Nothing so consumes a person as meaningless exertion.”
“He had mastered the art of delivering the fatal blow with a purr and a smile.”
“Going out to work can be tough, not something sweet and peaceful like picking the prettiest rose in your garden for your sick grandmother and spending the day with her, two streets away. Sometimes you have to do unpleasant things with unpleasant people, and the chance to call home never comes up.”
“I sensed the darkness around me increasing in density, much as the evening tide comes to fullness without a sound.”
“Once it has taken root in your heart, hatred is the most difficult thing in the world to shake off.”
“All I do here is do the work that my bosses tell me to do the way they tell me to do it. I don’t have to think at all. It’s like I just put my brain in a locker before I start work and pick it up on the way home.”
“After the momentary satisfaction of having decided something of his own free will, he would see that things had been decided beforehand by an external power cleverly camouflaged as free will, mere bait thrown in his path to lure him into behaving as he was meant to.“
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This book resonated with me as I came across it at a time when I needed it the most. When one is reluctant to confront the things that are out of balance in one's life, the universe conspires such that you are forced to confront it, through a shake-up.